Friday, December 04, 2009

Long

The other day, for the first time in years, I found myself walking alongside a particular wooden fence that I used to pass every day on my way to elementary school. And before I even realized what I was doing, I started to give that fence a super-wide berth, and I found my steps picking up a little bit, and my heart started beating a little bit faster. Because years ago, friends, that rickety assemblage of crappy Home Depot wood was the only thing that stood between me and a gruesome death-by-dogjaws.

If you walk by enough fences in your life, you pretty quickly build up an immunity to the feckless posturing of people's pets. For the most part, the murderer has been bred out of pet dogs, and you just know that once you get past the fence they nod their adorable widdle heads in self-approval at the inspired performance they just gave, lick for a few seconds the area where their nutsacks used to be, and trot back inside to get a hard-earned bellyrub and eat some food from their prissy, fire-hydrant-shaped bowls.

But not this dog. No one could love this dog. This dog was Hannibal Lecter, and his owners probably trapped him back there through some last-resort magic spell designed to restrain the abominations that we create but can't ever destroy. This dog longed to murder the outside world, and settled in the meantime for sodomizing any rabbits or raccoons that were dumb enough to wander into his accursed domain at night. But I just knew what the real prize was, and it was me. Then the world.

Anyway, every day for 50 feet of my walk home this dog would just go insane on that fence - barking and growling and snarling and baring his teeth through the wood's numerous knotholes, sprinting back and forth looking for some opening he might have missed the last thousand times he looked, knowing that if only he could find it, he could finally eat me and sprint down the street in freedom, frothing at the bloody mouth. And for the last 10 feet of fence, when he knew that I was about to be out of his jurisdiction, he would get even more frenzied and resort to just straight trying to knock the fence down, running up and kind of jumping into it, standing on his hind legs and pushing. And goddammit if every day that fence didn't wobble a little more. Of course, I imputed method to his madness. I pictured him toiling purposefully for years in anticipation of a future that must have initially seemed light-years away, like Tim Robbins in The Shawshank Redemption (I was a cultured little kid to think of this reference, especially because the movie wasn't out yet). I pictured him in a lab coat running leverage tests and shit, and circling the day on his calendar that all of his hard work would finally spring him from his penury. And then I imagined that he would plan to make it happen at the most fortuitous moment of that day, and that naturally he would choose the time when I was walking home from school playing with the yo-yo I bought at the assembly. He would just sit there calmly like an asshole of a dog statue while all the other kids went by. He would nod at the other kids, as if to say "Carry on." And when it was just me he'd topple the fence in one swift motion and tear me asunder, taking my tibia as a trophy to hang on his mantle in Mexico. And I was not Benny the Jet. I would not be able pickle the beast.

I can safely say from the adult world that it was kind of a quaint fear, at least compared to my current concerns, which include getting health insurance, figuring out what to do with my life, the ethical implications of accepting any comfort in a world where kwashiorkor is a thing, and Sarah Palin. But at 6 or 7 years old or whatever, worrying about being killed by a fenced-off dog actually represented a firm step in the direction of reality for me. Other items that would have appeared on a Threatdown in my early childhood:

1) The Jibboo

Of all the things you might think a child should be afraid of, I am guessing that a Dr. Seuss drawing would be in your bottom 5, and creepy pedophiles in the top 1. Enter cognitive dissonance, care of the Jibboo from Oh, The Thinks You Can Think!:


I think you'll agree that the Jibboo is not one of Dr. Seuss' more lovable characters. Sure, the friendly wave says "You can trust me," but the fact that it comes from a horrible shadowy birdthing wandering the barren streets at night effectively finishes that statement with "to touch your butthole." And the marks in the dirt behind his feet suggest to me that he has been dragging them, possibly due to the exhaustion of a long journey undertaken to beat the rap in some far away prosaic land. Here, he has stumbled upon an uncorrupted, whimsical Seussian utopia to which he doesn't belong, and that little kid knows it. And that little kid was me. When my parents used to read me this book, I would apparently scream at them in a panic to skip the Jibboo page (and it is just this one page - Seuss never offers an actual answer to the question). I will leave it up to you to decide whether that made me a sissy or a smart kid. But keep in mind before you answer that throughout my childhood I never got molested even once. Would this have been so if Dr. Seuss hadn't implied that you should never to talk to birdthings? Something to think about. So what would YOU do if you met a Jibboo? My advice, then and now: Fucking run.

(And luckily, my parents never sat me down and took me through Dr. Seuss' political cartoons, because this springmonster would have kept me up for weeks:


)

2.  Deinonychus

What is Deinonychus, you ask? Take it away, "Wee Sing Dinosaurs" lyrics that triggered my fear!:

VERSE ONE
One of the most fearsome hunters
Wasn’t big at all,
He measured close to ten feet long
And only five feet tall.

CHORUS (forebodingly, guys)
Deinonychus,
With his powerful jaw,
Deinonychus,
With his terrible claw.

VERSE TWO
Stalking quickly through the woods,
He hunted with a pack,
When they spied a likely foe,
They’d race to the attack.

REPEAT CHORUS EVEN FOREBODINGLIER TO SCARE SHAWN DAVIS AND MAKE HIM LOOK LIKE A LITTLE BITCH



Here is Deinonychus engaging in dinosaur parkour. His mouth is open like he is roaring. It is of course impossible for people to determine for sure what color dinosaurs were, or what their voices sounded like, but to me this drawing suggests that Deinonychus' roar sounded like the opening scream from "Won't Get Fooled Again" by The Who.

Oh, but once upon a time Deinonychus scared the shit out of me, or at least that song did (the Deinonychus one, not The Who. Though speaking of pedophiles...). Which is admittedly very stupid, because even the dumbest little kids with the worst kind of irresponsible parents know that dinosaurs haven't roamed the earth for like 5,000 years, ever since they obstinately refused Noah's efforts to get them all on the boat. You can blame Noah if you want, but you just can't help a superorder that doesn't want to help itself, and dinosaurs were the Amy Winehouse of superorders.

I think the phrase "terrible claw" is what got me, though, because are there really two scarier words to put together? In fact, "terrible claw" is what "Deinonychus" means in Greek, which is much cooler and scarier than, say, what "Hadrosaur" means ("sad existentialist duckbilled pussy").

 
                  This is the "The Thinker" of dinosaur art. Suck it, Rodin.

 If you're anything like me, you have by now wondered what it would be like to live in a world with Deinonychus. And thankfully, Wikipedia has a size chart that captures approximately how it would go:



Man: (jolly, Flanders-like) Oh, hey there Deinonychus. How's Brenda?
Deinonychus: (opening scream from "Won't Get Fooled Again," dashes forward)
Man: Well, I had a good run.

3. Bees

Actually, I guess this one is reasonable enough. But it's pretty rare that you can pinpoint the exact moment a fear developed, and I can do that with bees. I have a vivid memory of being in preschool in Ft. Meade, Maryland, and our class was doing the bees unit. And somewhere in the course of the unit, my teacher, Mrs. Dennison, made a point to tell me that bees are attracted to the color yellow, and by extension they are attracted to blondes: a dubious claim that I still don't know the truth of (though it would be funny if all bees are always having mid-life crises and chasing blondes), but one which nevertheless made me paranoid about bees for years until one day in my early 20s when I suddenly realized that I am at least 6 times their size (and also that life IS pain, and bees are the smallest of the small-time merchants, trading in a particularly fleeting and meaningless brand, y'know?). But still, there are times when any given bee will freak me out and I'll make some goofy noise and run away as if I'm doing it to be funny and over-the-top when in fact I'm doing it out of self-preservation and terror.

At first when I thought about it, I concluded that Mrs. Dennison was a horrible crone for messing with me like this, in spite of the fact that she gave us all seashells on the first day of school, and seashells are awesome. Then I remembered a few things from my preschool report card:

"Shawn is going through a fisticuffs time. He needs better negotiating skills."

"Shawn has trouble with rules. He sometimes thinks they are for 'the other kids' (his words). Therefore [they] don't apply to him. He forgets and acts on impulse."

 And I remember a few times during recess or whatever when I was forced to sit in a chalk circle that she would exasperatedly draw on the ground because I was being an asshole to the other kids. In other words, I was the terrible person. I apparently tormented this woman and her class, and she probably used bees to give me some small measure of comeuppance. And I respect that. After all, I can't say that I am unhappy that bees supposedly die when they sting you, or that Deinonychus is extinct, or that the Jibboo is serving consecutive life sentences in a prison for imaginary pedophile birds no one cares about anymore. They are jerks, and that's what they get. And do you know how the dog story ends? I took a few steps away from the fence, then realized that there was no barking from which to recoil. Then I felt this weird, swelling sense of triumph. Because in that moment, I realized that though it may suck getting older and having less-fun fears and such, at least time also killed that fucking dog for me.



What an asshole.

Wednesday, December 02, 2009

Validation, Or Why Paying Downtown Parking Prices Is Worth It

Here is an annotated timeline of my Denver-to-Aurora lightrail trip yesterday:

6 PM: I finish work and wander out of the building, taking my time to chat with coworkers about various inanities, because I am both affable and collegial.

6:07 PM: I get on the crowded 16th St. MallRide.

6:12 PM: The MallRide creeps up on the Stout St. Station, stopping at every block like your tiny-bladdered, biodiesel-powered grandfather on a roadtrip. I am a little nervous, because the H-Line leaves at 6:14, and if I miss this one I have to wait 15 minutes in the cold for the next one, which will cause me to miss my bus when I get off at Nine Mile, which will in turn relegate me to another hour in the cold. I dislike the cold. I lament the fact that I have a long-standing policy to never again run to catch buses and trains and stuff - a policy I adopted because I hate the feeling you get when you run and still don't make it, when you're left standing there like an asshole and everyone around you knows they just saw you fail at something you wanted, and they get to sip that delicious pity/schadenfreude cocktail on your dime. And that is one cocktail I will not fucking spring for. No sir. Not me. Also, I have always thought that there is just an inherent sadness to running for the bus/lightrail, because when it boils down to it you are sprinting like an action hero just to get on a dank, smelly thing that will get you to your job as an insurance underwriter on time. I will gladly run to get on a rocketship to the moon. But not for the bus or the lightrail. Unless they are going to the moon.

6:14 PM: The MallRide finally gets to the Stout St. Station, and I see my H-Line to Nine Mile already sitting there, looking antsy to depart. Fuck. I get off the bus and sprint across the street like a dirty hypocrite, showing the congregated panhandling homeless what pathetic desperation really looks like. I pull out an express pass as I run, planning to turn this lame betrayal of my principles into a cool-looking win. I will slip the ticket in the validator in one magnificent thrust and bolt inside the closing doors like a deadline-conquering megachampion. (Oh, hyphenated adjectives.) But of course we all know that even the coolest-laid plans are foiled by the goddamn validator. So I end up standing there trying frantically to get this little piece of asshole paper stamped as the train doors start their customary "It's go time, bitches" beeping. I feel dumb, but to be fair it's like if at the end of the 100 meter hurdles, every runner has to pull out a wrinkled up dollar and get a vending machine to take it in order to win. Shit gets hard. This simple motherfucking thing all of a sudden feels like trying to slide a brick under a door. Having already abandoned my plan to be the awesomest lameass in the history of running to catch things, I figure I might as well abandon the desire to be a dignified adult who rides legally. I take a few hard steps, shove my hand between the closing doors, and trudge up the stairs. I am a stupid out-of-shape freeloader. I briefly think about how much we implicitly trust door-sensor technology, to the extent that we go around shoving our hands inside things that would fuck us up if the sensor were broken. I picture the lightrail dragging me by the arm screaming into a wall. In the outside world, which is thankfully not subjected to the stupid things I think about, the automated female voice reminds everyone to get away from the doors so the train can depart, and I know that she is talking about me. I plop down next to some lady who probably saw my whole sad ordeal. We leave.

6:16 PM: We pull up at the Convention Center Station, the only station on the route where the automated voice says "Remember, you must have a valid ticket, transfer, or pass." I get paranoid that the enforcement dudes are going to get on and embarrass me. I'll be sitting there talking to some pudgy 50-year-old guy in a fake cop uniform, trying to explain how I really tried to validate my pass, but the train was leaving, and I couldn't miss this lightrail - not again. Not for you, not for anybody. I will show him my blank pass, and try to reason with him that I wouldn't carry one of these around and not validate it. That would be dumb, man. I will tell him it's cold outside. I will start crying and ask him what he would do if I were his son. And he will give me a ticket and kick me off the lightrail because he doesn't talk to his son anymore because his son is "a homo". And everyone on the lightrail will be whispering about me, judging me, with their fucking laminated monthly hologrammed passes that you don't ever have to validate. Then they'll get home and have beef stroganoff and tell their spouses over dinner how some guy got caught without a ticket on the lightrail today and wept like a girl. I can't handle this. I will not be the "Oh, something actually happened today that was different from my affair-inducing day-to-day drudgery" story. So I decide to do something about it. I bolt the train as soon as the doors open, looking left and right and left for the green glow of the validator thingies. I see one that's kind of far away, and I start to sprint for it. But I hear the beeping start, and I realize that I have no shot. I hop back on, defeated, dodging the doors exaggeratedly as if they're picking on me. I am now on the next car over. This time, I just stand in the doorway, muttering to myself and waiting for my next shot.

6:19 PM: Colfax at Auraria Station. The busiest stop. Lots of commuter students, and it'll take them a minute to get on. This is it. I bolt again, running down the line, weaving through sane people and looking for the goddamn validators. I don't see them. I get like 100 feet from the lightrail, whipping around in circles. I mutter "Where the fuck?" three or four times. The doors beep. I turn and run again, catching them and prying them open like I am strong. But I am not strong. I am weak and sad. I am also in the same car I started on. A few people seem to notice that I have now sprinted up and gotten on their train twice within three stops. I hope they just think I'm really fast.

6:25 PM: Self-loathing. I ask myself why I even care if I get caught. It's probably 50 dollars. I don't really care about money. And RTD inexplicably does not check tickets very often, in my experience. So my main concern really is what these people would think of me on the off chance that I got caught. These people. These coughing, sniffling, dead-eyed people. Why? I decide to abandon my original quest for validation (deep double-meaning alert!) and just look around for anyone who stands out and makes me less bummed that I'm concerned about what everyone thinks of me. There is a serious, distinguished-looking old man in a suit and tie writing something in a notebook. There's a guy whose respect it might be reasonable to give a shit about! I really want to ask him what he is writing, but I am not really a talk-to-strangers type of guy. But still: Is he one of those people who writes a daily poem or something on the lightrail? Is it about me? A haiku? Can he capture the universality of my predicament in 17 syllables?


Or iambic pentameter?



But I never ask him, so I'll never know, and I'll never talk my way into a surprise internship with JP Morgan Chase, and I'll never get to date his granddaughter if he has one. That's what I get.

Also around me are two college-aged Asian girls with designer bags and rhinestone-peppered cell phones. Their conversation flits between how guys who wear pants for multiple days in a row need to make sure they wear underwear or the pants will smell disgusting, and an in-depth discussion of Tiger Woods (his wife: "pretty hot"; mistress: "ugly skank"). They laugh a lot. I get off at the next stop and walk one car over again. When I get on, I see a woman I saw earlier. She chuckles at me. I wonder how much she knows, and whether she can be trusted.

6:44 PM: It's been a while now since I actually got off the lightrail seeking the elusive validators, but I've still been looking out the window at each stop, just in case I might be able to see one, or at the very least catch a glimpse of the RTD cop waiting at a station, allowing me to step off as he got on. But at Southmoor, I finally see my chance. The validator is 10 feet from the door, glowing a friendly green. I take a deep breath and step off. I walk over, slide my pass in, hear the telltale beep, and stroll back aboard with a newfound sense of belonging and ownership. I am finally legal. I have my green card. No show today, assholes. I am valid.

6:47 PM: Regret. I made it all this way, then I validated my ticket two stops from Nine Mile? I'm such a pussy.

Conclusion: I am incapable of being happy with myself. But maybe someday, blah blah blah, find the kind of validation that lasts. The End.